In his own words:
'I find glass to be a material that does not respond well to being dominated by the artist. For me the concept of the work is just the starting point for a conversation between the artists idea and the material. The artist flags up the idea, the medium responds and the discussion begins. However the material must not dominate proceedings either and hot glass, as most who work in it know, can be very persuasive in having its own way. This is where technical skill plays its part. I have discovered in my efforts to instil these qualities into my work that my ideas have moved far from the traditional glassmaking I was taught at Art College. I have been required to develop new techniques and resurrect and adapt some old ones to move on from the inevitable constraints on form that glassblowing produces.'